Naar hoofdinhoud

Queer African Cinemas

Lindsey B. Green-Simms

In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance - contrary to traditional narratives about resistance that center overt and heroic struggle - is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival.

specificaties

praktische informatie

ISBN Nummer
9781478018018
Boekcode
IHLIA Homodok cat. (green/que) b niet uitleenbaar
Taal publicatie
eng [Engels]
Hoofdtitel
Queer African Cinemas
Algemene materiaalaanduiding
2 [Boek]
Eerste verantwoordelijke
Lindsey B. Green-Simms
Plaats van uitgave
Durham, NC
Jaar van uitgave
2022
Pagina's
250 p
Collatie - Illustraties
ill
Auteur Achternaam
Green-Simms
Auteur Voornaam
Lindsey B.
Prod country
usa
Opmerkingen - Tekst
Bibliogr.: p. 231-242; Filmogr.: p. 227-230
Samenvatting - Tekst
In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance - contrary to traditional narratives about resistance that center overt and heroic struggle - is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival.

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